Manual do usuário KONICA MINOLTA CF9001

[. . . ] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Tom, Clareza e Saturação . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 5 Ajuste Cor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Básico . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Vermelho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Verde. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 Azul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Nitidez . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Brilho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Contraste. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Saturação. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Retrato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Profissional. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Tom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Saturação. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Brilho . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Nitidez . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Densidade . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Contraste. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Regular Cor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 4 Exemplos de Cópias 1 1 Exemplos de Cópias Funções Criativas As funções criativas estão classificadas em três grupos: as funções que "processam as cores do original", as que "alteram os ratios zoom" e as que "processam a própria imagem do original" Combinando estas funções, é possível efectuar cópias de muitas tonalidades diferentes. Cópias de dieferentes tonalidades. Processamento das Cores do Original q Monocromático . [. . . ] It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts. 93 94 Consumables Sales Report The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts. 93 94 test 1 jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj- In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question. 0 1000 2000 3000 4000 5000 test 1 jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj- In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question. 0 1000 2000 3000 4000 5000 22 Funções Criativas 3 Margem para Arquivo É possível criar uma margem para arquivo ao longo da margem esquerda para facilitar o arquivo. A largura de margem pode variar entre 1 mm e 30 mm. q Deslocar Margem para Arquivor Consumables Sales Report The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts. 93 94 Consumables Sales Report The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts. 93 94 0 1000 2000 3000 4000 5000 test 1 jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj- In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question. q Reduzir Margem para Arquivo" The consumption of consumables has more than doubled in the past five years. It was decided five years ago to expand sales of our products through independent 95 dealers as well as 96 through our own retail 97 outlets. Due to the increased marketing of our key products through these independent retailers, plus an increase in sales through our own retail outlets, we have seen an unprecedented increase in the sales of consumable parts. With a projected increase of another 10% this year in heavy equipment, we anticipate a 25% increase in the sales of consumable parts. 93 94 test 1 jgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixjjgfjdch uvchfudhfghu siaojixj- In our three-step analysis we have found that the reason for such a marked increase in the sales of consumable parts is due to an unforeseen increase in client use of our machinery, not due to a failure in durability and life expectancy of the parts in question. SUGESTÃO ÚTIL Para obter informações acerca de cada função, consulte o Manual do Utilizador. 0 Consumables Sales Report Consumables Sales Report The consumption of consumables has more than doubled in the past five years. [. . . ] Seleccione a imagem pretendida entre as seguintes sete. Estes ajustes podem ser utilizados para reproduzir uma tonalidade delicada e subtil que pelo método básico não seria possível. Tom O tom pode ser ajustado em 19 passos diferentes, entre -3 e +3. Original Std. (±0) Cópia Passo -3 Passo +3 34 Ajuste Cor 5 Saturação A saturação pode ser ajustada em 19 passos diferentes, entre -3 e +3. Original Std. [. . . ]